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I picture this timing most likely established throughout the Palladium period yet I haven't validated that. Eddie Torres began instructing and promoting this timing beginning in the 1980's, from what I comprehend. He was mentored by the late June Laberta, a ballroom dancing teacher, who helped him establish his strategy and timing.
The tale I'm constantly told right here, that still calls for further investigation, is that as salsa began reaching brand-new audiences outside of the Caribbean and New York City, it was easier and much more user-friendly to teach social outsiders to dance On1 as opposed to On2. This tale does not account for the fact that I've heard Rueda de Casino was originally danced a tiempo On3 in Cuba.
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Salsa On1 is simply among numerous salsa timings you can dance to and it is one of the most typical timing you'll discover in the world today. Salsa On1 timing meaning: "On1" suggests you begin dancing on the first beat of bench of music the 1. Your break actions (direction modifications) are on beats 1 and 5.
The exceptions I've found up until now, where On2 is most typical, would be around New york city and in South Korea (Salsa Dance San Francisco). I'm sure there are other locations that dance generally On2 but I haven't danced in every nation! If you're uncertain what timing is most typical where you live, ask your regional dance workshop
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When someone states "I dance salsa On1" they probably suggest "I dance straight design salsa On1" (although you can dance any type of design of salsa On1, people normally mean linear design). Don't fret if you have actually stated these things previously, it's all great most of us have! The essential thing is to keep in mind there's a distinction between design and timing and grow your understanding so you can be more exact when discussing salsa with your good friends.
It attaches well with the phrasing in the music, particularly the piano, and various other percussion instruments like the cow bell and giro. Timing and style are two different points, so different the concepts when you talk about salsa with your pals. No matter what timing is most typical in your check area of the world, remember you can technically dance any design of salsa to any type of timing explore and take pleasure in! Want much more? Have a look at this deep dive on the difference in between dancing salsa On1 vs On2 when dancing a tiempo.
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There is an initial mambo dancing that came from Cuba and then spread out to Mexico and New York in the 40s and 50s, these days when someone states "I dance mambo" they mean salsa On2, which is different than the initial mambo dance. The sporadic free-from steps of the original mambo were danced solo.
As the dance began to spread out, On1 timing began to come to be preferred. Salsa On2 interpretation: "On2" means you begin dancing on the initial beat of the bar of music the 2.
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Historically those are the tools that a kid cubano professional dancer gotten in touch with and that was handed down to mambo and salsa. A great deal of professional dancers enjoy dancing On2 for the varied means you can attach to the music. This is the initial child cubano and mambo timing. Kid cubano is the music and dance that came before mambo and salsa.
It attaches well to the clave, bass and conga - Salsa Dance San Francisco. Cha-cha is much like dancing On2 contratiempo yet you include the triple step on 4 and 8. Danced to the exact same beats as On1, your break actions are now on 2 and 6, which changes the feel of the dance.
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This timing is practically identical to contratiempo On2 but the steps that are typically on 4 and 8 are on 4. It's virtually like a timing in between a tiempo and contratiempo.
5 rather of 5) you're dancing this syncopated timing. In reality it seems it's often danced as kind of a "error" for any person dancing the previous 2 timings.
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As discussed earlier, this was the first analysis of dancing on clave (kid clave), where the Puerto Ricans would align their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The concept is to align as lots of steps of your basic as possible with the strikes of the child clave.
Naturally, individuals have actually found a method to dance on practically every timing feasible to son and salsa songs. People dance On3 for the very same reason you dance On1 since it highlights the strong beats of 1-3-5-7.
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Allow's check out the beats you dance On1 to: -2-, -6- (strong beats remain in strong) Let's take a look at the beats you dance On3 to: -4-, -8- (solid beats are in bold) Notification just how the strong beats are spaced exactly the exact same for On1 and On3? All you do is begin tipping On3 rather than On1.
That's why dancing On3 is so common in Latin America. People either Attempt to dance On1 yet begin tipping On3 by accident and it exercises simply fine, or They do not recognize much concerning timing and are just translating what they hear in the music, based on their experience maturing in a culture with salsa.